As a freelance designer I work with a variety of projects and clients. Often I do consult work as UI/UX designer where the tools are already in place. This means I encounter lots of ways to organise design in artboards and components.Read more
Notes Avoid CSS font‑smoothing
Reading the overall good "5 Keys to Accessible Web Typography" by Matej Latin, I can’t help to point out the CSS font-smoothing part where Matej recommends anti-aliased font-smoothing for light text on dark background.
If you’re looking for a lighter text, go for a lighter weight. Font-smoothing will not work for every user, you’re just "fixing" it for the few. It has also been removed from the specification. Yes, you’ll need to load an extra weight. But variable fonts are at the horizon.
Zach Leatherman visualise font-smoothing in his post "Laissez-faire Font Smoothing and Anti‑aliasing".
Notes Give 'Em Enough Rope
A quick illustration for a friend. A rope in the shape of two V. I wouldn’t mind if Illustrator took some inspiration how Béziers curves work in Glyphs app.Permalink
Notes Hitting two exciting web trends
Being listed in an article like "10 exciting web design trends you can’t hide from in 2019" is a boost to the ego. At the same time, trends within web design rapidly occur everywhere. This part of being a trend, where others impulse to blindly follow, makes it less exciting. Focus on the purpose with the design. Be inspired by a trend if that solves your problems.
However, I still appreciate the link and mention Amber.Permalink
Notes Logotype for Smiling Workplaces
In October – in a hit-the-ground-runnin’ kind of project – I helped Smiling Workplaces with a logo. A consult agency focusing on software solutions within the workplace, using products and technology from Microsoft.Permalink
Notes Tranemo typefacePermalink
Notes First favourite typeface
As far as I can remember, ITC Officina Serif was my first favourite typeface. Until I was 19 years old, I used typefaces that was pre-installed on my Windows computer. I mostly made websites, with Verdana, Tahoma, and Arial as the only tools I could use.
In school, studying design, my views broaden. We read the book Stop Stealing Sheep & Find Out How Type Works by Erik Spiekermann, my first introduction to type design. And somehow, Officina Serif caught my eye. And typography caught my attention.
I still have a soft spot for slab serifs.
What was your first favourite typeface?Permalink
Notes 20 px vs. 20 px
So, which one is it? Font size is 20 pixels for the regular weight on each row to the left. And font size on bold is (or maybe should be) 20 pixels on what row to the right?Permalink
Notes Slab No. 1 again
About three years ago, I started working on one of my first typefaces. Released on Github as an open source type face, Slab No. 1 got a regular weight. I worked on it regularly pretty much until I attended Type@Paris in 2016. Then I got busy designing other typefaces. Now I’ve slowly started fixing some curves here and there. Looks like it’ll be a total remake.
(Yes, spacing is a bit generous. Work in progress. )Permalink
Notes Logo for Sundin Bulk
Creating a new logotype for a business is one of my favourite challenges to do. Here’s a recent one I did for Sundin Bulk, a two people haulage contractor. With…Read more